So that’s figuring out what people need to work on and being able to direct it. So if you’re doing five minutes a day, how to make that five minutes much more useful than just doing five minutes of unguided practice. The third area is making your practice more effective. Our customers say that, once they’ve got into that habit, they start to progress really quickly, with just a small amount every day. You’re encouraged to practice, and you’re rewarded for doing five minutes a day. The second layer is all of the stuff that we do to help you get into the habit of practicing. “The first is the immediate feedback that you get when you’re playing, which actually helps you to learn how to play a part. Melodics then tailors a set of lessons for you, and guides you through exercises with a slick user interface.īehind the scenes of the software, there are three key parts to the Melodics experience, as Gribben explains. The free version limits play to five minutes of performance per day, but monthly and annual pricing options allow for unlimited play time, over 1000 lessons, courses and exercises, new weekly content, and the ability to free-play over lessons. The first time you fire it up, you are asked to complete some questions about your musical aspirations and preferences. Melodics is free to download and comes with 60 free lessons for keys, pad controllers and drums. So far, no-one’s ever challenged us on that!” If you don’t practice, you won’t get better. Melodics, on the other hand, has been designed by Gribben and his team as “software to help people practice”. So far, no-one’s ever challenged us on that!” - Sam Gribben, Melodics Which is fundamentally how much has been taught for centuries.” You’re watching someone else play and then trying to figure out how to do it yourself. The current state of the art is YouTube videos, and while YouTube is an amazing resource for learning to play instruments and learning to play music, it is really one-way. Melodics creator and CEO Sam Gribben sets the scene: “Music education in general hasn’t really changed for centuries. Until now, that is, thanks to Melodics, an interactive desktop app that aims to improve your musical abilities through tailored learning and customised practice, which adapts its content based on your playing ability, style and musical preferences. Although modern tools have helped to augment these practices, there’s been few, if any, competitors to the rigid status quo of conventional music learning. While this is a tried-and-tested method of learning, and countless incredible musicians have been nurtured and developed this way, it is old-fashioned. But for years, learning an instrument generally involved doing the same thing as everyone else, learning in a certain way from the same teacher, and following a curriculum that was determined by an exam board who had no bearing on where you wanted to go, musically. Perhaps your experience was more inspirational and formative. Anyone lucky enough to have a formal musical education will recall hour-long, tutor-led sessions with a rigid format, barely tailored to your abilities or musical ambitions.
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Most services also have iPhone and Android apps, but we didn’t find them all that useful, so we didn’t test them.
The sequence, and the rest of the film, is accompanied by a score from composer Volker Bertelmann (who often goes by Hauschka) that can scarely be called music, and is all the better for it: The sound is an aural attack, with sharp, staccato drumbeats punctuating some scenes and a trio of huge, foreboding chords (think of it as an industrial-rock version of the “Dies Irae”) hanging over others. ‘Holy Spider’ Review: Iranian Serial-Killer Thriller Misses the Mark “Yeah, it was too small for him,” lies the officer who’s inducting Paul. The film follows the clothes, not the men, as they’re taken to a factory to be scrubbed, washed, mended and ultimately given to new recruits – one of whom, 17-year-old Paul Bauymer (newcomer Felix Kammerer), gets his new uniform, looks at the name tag and points out, “This already belongs to somebody.” In a chilling sequence, soldiers strip the clothes off their dead comrades, leaving a pile of muddy, torn garments alongside the rows of black coffins. It’s a technique Berger and his cinematographer James Friend return to again and again, deliberately placing their story in a world that would look like paradise if not for the blood squabbles of humans.Īnd “All Quiet” doesn’t give us time to bask in that beauty before long, we’re in a short, brutal battle, and then the ground is littered with dead bodies. “All Quiet on the Western Front” starts with the bucolic landscape of Western Europe in 1917 we know we’re in for carnage, but first we see hills and trees, clouds sitting in a pink-tinged sky, fog slipping through the woods. ( Endlessness might be the right word for viewers in 2022, given the conflicts that still wrack the globe more than 100 years after the events in this film.) It strips the glamor and heroism out of the genre to show the brutality of using young men as cannon fodder, while shocking the viewers with its brutality and tiring them with the seeming endlessness of the war. The Netflix film, which is Germany’s entry in this year’s Best International Feature Film Oscar race, follows in a long tradition of the depiction of war that goes back to Milestone’s version, but disappeared for a long while when World War II prompted Hollywood to embrace gung-ho war movies. The book was about humanity and inhumanity, and so was the 1930 Hollywood version directed by Lewis Milestone, that depicted the soldiers as Germans but had them speak English that language choice both made it more palatable to English-speaking audiences and easier to take as the Everyman story that in some ways it was.īerger’s “All Quiet” is different it’s in German, with a largely German cast and no way to avoid the realization that the hell in which these young soldiers are being immersed - and the way in which they lost the war - will directly lead to the rise of the Nazis and to World War II. There was nothing militaristic or partisan about Remarque’s novel, which is one of the reasons it was banned and burned by the Nazis when they came to power, thanks in part to stoking racist resentment of what was seen as a humiliating defeat in the First World War. ‘Armageddon Time’ Review: James Gray Looks at His Childhood Without Nostalgia Given the power of its images and the terror we see in these young faces on the battlefield, it’s hard to imagine that the film won’t elicit that empathy. The film, which premiered at the Toronto International Film Festival, dives into those horrors, adds political context that resonates in 2022 and asks viewers to empathize with soldiers who were fighting on the losing (and the “wrong”) side of that war. It’s overly simplistic to say that Edward Berger’s “All Quiet on the Western Front” reclaims that classic anti-war work for Germany, but it’s not entirely inaccurate.īerger’s unflinching adaptation comes more than 90 years after Erich Maria Remarque’s 1929 novel shocked a battered and increasingly nationalistic Germany by depicting the brutality of sending young men off to be butchered in World War I foxholes. This review originally ran September 13, 2022, for the film’s world premiere at the Toronto International Film Festival. Ugritone – Big Game Sale with up to 57% off on drum instruments and MIDI groove packs and more. 1 library, and 50% on the Liminal Bundle for Kontakt. 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Tested under Windows XP Sp3, Windows 7 Sp1, Windows 8(.1), Windows 10.Multithreading capable, depending on the number of (logical) processor cores (since Version 2.0)."All in one file" – no dedicated chapter files in wrong directories.display of encoding and audio values in status bar (since Version 3.0).Create a professional audiobook in a few clicks with. saving of AAC encoding and audio settings in the project file (*.xod), no "manuel" adjustment of project settings in case of different standard settings necessary – convenient for "continuation novels" (since Version 3.0) Looking for a free audiobook recording tool Well give you that and more.plausibility check of the resulting audiobook parameters (audiobook length in relation to sample rate, encoding values, audio parameters) (since Version 3.0).freely or automatically selectable audio parameters (channel mode, sample rate) (since Version 3.0) Audacity is a free, open source cross-platform audio software for multi-track recording and editing.freely selectable AAC profile ("Low Complexity", "High Efficiency (v2)" or Auto mode) (since Version 2.2)."Average Bitrate" mode with 2pass encoding, "Variable Bitrate" mode (since Version 2.1) or "Constant Bitrate" mode (since Version 2.2) possible when generating AAC files.Audiobook Builder makes it easy to turn your audio CDs, MP3s, M4As, and other audio files into audiobooks for your iPhone, iPod or iPad. Grand Theft Auto V is a one-of-a-kind game for. Even with a release date nearly a decade ago, GTA still captures the attention of players across the globe. The latest update, 1.44, was rolled out in September 2022. This keeps the game feeling fresh and adds new things to do. Audiobook Builder latest version: Move your audiobook collection to iPod. Rockstar Games regularly releases updates and new content for the game. Each download we provide is subject to periodical scanning, but we strongly recommend you check the package for viruses on your side before running the installation. Audiobook Builder for Mac, free and safe download. MP3 files (*.mp3) and WAV files (*.wav) can be used directly without prior conversion (since Version 2.0) It may sharply differ from the full version of the program due to the license type."neroAacEnc.exe" is installed additionally: Garageband is the name of the app that comes free with a Mac. Categorization as an audiobook, thus automatically correct sorting into iTunes or iPod (no longer under "Music" like in case of MP3 files) They help build and manage audio content that gets sold on Audible, Amazon, and iTunes.The latest installation package occupies 17.9 MB on disk.
The outcome of this battle fractures the official timeline for The Legend of Zelda into three different paths, but it is the Downfall Timeline of The Legend of Zelda that cements Ganon as a formidable evil in the series. While this Ganon retains some of the physical characteristics of Ganondorf, he comes to resemble the pig-like Ganon that has appeared in the original The Legend of Zelda, A Link to the Past, and other games. Ocarina of Time's Ganondorf transforms into the beast Ganon during the final confrontation with Link, fully corrupted by the Triforce of Power. Ganon has appeared in numerous Zelda games since the original 1986 title and often serves as a game's final boss. According to the official timeline of the Zelda series, Ganondorf appears first before any appearance of Ganon, showing how the man predates the beast.Īs Ganondorf's first appearance is in Ocarina of Time, this also happens to be the first chronological appearance of Ganon. This hatred eventually takes on the form of Ganondorf, with his quests for power and a desire to dominate Hyrule. When Skyward Sword's Link finally beats Demise, a demon of hatred and evil, the creature curses the Hero to always have to face his never-ending hatred all throughout time. One possible explanation for why Ganondorf continues to be reincarnated is due to the curse of Demise from Skyward Sword. Much like the Hero, Ganondorf ends up reincarnating in different eras. He is a skilled swordsman and sorcerer, and uses both of these sets of abilities when fighting the Hero, Link. The Triforce of Power is continually claimed or held by Ganondorf at different points of the series, which increases his power and ultimately further corrupts him. Sometimes, he wants to rule over a different kingdom, and sometimes, he starts by wanting to just be a good leader. Different iterations of Ganondorf have different motivations, but they are generally based in pride and a desire for power. “The NIKKOR Z line continues to expand to benefit all kinds of creators, and those who adore the idea of carrying a super slim, light, sharp and fast walk-around lens will love NIKKOR Z 26mm f/2.8.” “The NIKKOR Z 85mm f/1.2 S is a lens that unquestionably exhibits the extraordinary potential of the Z mount to resolve amazing details and dimensionality, and I’m confident this lens will quickly establish itself with legendary status among its users,” said Jay Vannatter, Executive Vice President, Nikon Inc. This new ultra-compact lens is made for creators, offering versatility for capturing all kinds of content from street style and landscapes to everyday casual snaps. Nikon has also released the slimmest and lightest full-frame AF NIKKOR lens ever created1, the NIKKOR Z 26mm f/2.8 “pancake” lens. This 85mm portrait lens with an incredibly fast f/1.2 aperture delivers the ultimate in image quality for the most discerning clients, plus the benefits of a flattering, compressing focal length that dissolves the background into a beautiful and intoxicating bokeh. has announced the highly anticipated NIKKOR Z 85mm f/1.2 S, a professional-level ultra-fast prime lens that exemplifies the powerful potential of the Nikon Z Mount for those capturing stills or video footage, whether it be studio head shots, weddings, events, high fashion, b-roll, close ups and more. Nikon Also Announces the Ultra Slim and Lightweight NIKKOR Z 26mm f/2.8 Pancake Lens Press release: Flawless & Flattering: The New Nikkor Z 85mm f/1.2 S Prime Lens The addition of the new Nikkor Z 85mm F1.2 S and new Nikkor Z 26mm F2.8 pancake lens brings Nikon's Z-mount offers to nearly 40 lenses in total.īoth lenses hit store shelves in March, with the Nikkor Z 26mm F2.8 coming in early March at $499.95 MSRP, and the Nikkor Z 85mm F1.2 S arriving by the end of March at $2799.95 MSRP. It has a control ring to which functions such as aperture and exposure compensation that can be assigned. It acts as a wide-angle prime on full-frame 'FX' bodies or as a near-perfect normal 39mm equivalent lens on APS-C 'DX' models. Nikon has positioned the 26mm as the everyday casual use lens, or a throw in your travel bag lens for street photography or vlogs, giving people who don't want a lot of gear a smaller option that is still capable of F2.8 and a step up from a kit lens. A slim lens hood rounds out the compact design. The lens is 23.5mm (0.93") thick and 125g (4.4 oz) in weight, making it the first lens that Nikon says is thin and light enough to be considered a true pancake for the Z-mount. The other lens announcement today is the new Nikkor Z 26mm F2.8 pancake lens. This helps the lens deliver a close focus distance of 0.85mm (2.8ft), and faster focus because each focus group has less far to move. It has 11 rounded diaphragm blades which, according to Nikon, produce clean round and soft circles, and it says the optical design has been arranged to minimize 'onion-ring' effects in the bokeh.ĪF performance is also promised to be quite and fast, with minimal breathing, which Nikon says is made possible by using two stepping motors (STM) moving two focus groups. It sits next to the 85mm F1.8 S in Nikon's lineup. It features magnesium alloy construction and is claimed to be weather sealed. The Nikkor Z 85mm F1.2 S is a portrait prime in the company's premium 'S-line' of lenses. Nikon has released the promised pair of new lenses for its Z-mount system: the Nikkor Z 85mm F1.2 S, which the company says is a professional-level ultra-fast prime lens, and the Nikkor Z 26mm F2.8 pancake lens which is Nikon's slimmest and lightest full-frame AF lens ever. The school chapter also establishes that gameplay loop of meeting a monster, getting to know their problems, and then getting rid of corruptions until they’re human again very early on. There were sections that made me uncomfortable and anxious in the best way possible. It was a good kind of awful that was narratively eye-opening. From close calls with evil bullies to fumbling around in the dark, I felt like I was living the nightmare Kay’s brother Sunny faced every day. The school chapter, in particular, was my favorite. There are other sections in Sea of Solitude that made me uncomfortable and anxious in the best way possible. That said, the challenge of making it to the top of that tower was a welcome change of pace because it ramped up the otherwise easy platforming obstacles with plenty of jumps and some strategic gusts of air. This made it hard to tell where I’d been before when hunting collectibles and made certain sections, such as the skyscraper, dull to explore. There’s no real point to it, no story reason for doing so, and it seems unnecessarily rude to the seagulls.Įvery area you discover looks beautiful, but a lot of it also looks extremely similar. You just have to find seagulls and shoo them away. The other collectible you can track down is, by comparison, a snooze. Plus exploring and enjoying the lovely environments was one of the best parts of Sea of Solitude. While these are optional to the main campaign, going out of my way to get them was a great way to add an extra challenge. They serve as both a fun thing to hunt for and an interesting and eerie reminder that others have been here before. Scattered throughout the world are different collectibles to find, the best of which are the messages in bottles. The voice acting didn’t help in this regard because the larger than life cadence of the monsters often made things feel like an overacted stage play rather than a series of real conversations. Intense screams and overuse of exclamations such as “leave me alone!” felt overly dramatic and consistently took me out of the story. If that was me, I would be asking for the bill early. It’s a shame that Sea of Solitude’s heavy-handed writing often gets in the way of the story it’s trying to tell, since it’s hard to buy into a relationship where someone says “you’re the kind of person I could imagine having kids with” on the first date. Things don’t always turn out how Kay wants, but eventually she accepts that the right decision isn’t necessarily the ideal one and that not all relationships can last. Most of all, I respect that Sea of Solitude isn’t all happy endings. Sea of Solitude's heavy-handed writing often gets in the way of the story it's trying to tell. And it was genuinely compelling, getting to know the winged monster that helped her take ownership of her shortcomings was lovely and heartbreaking all at once. For instance, one of the first story arcs deals with Kay neglecting her brother because she’s so infatuated with her boyfriend. Sea of Solitude does a good job tackling relatable situations that I don’t often see represented in games. And throughout the adventure, Kay is constantly reminiscing on her own behavior when it comes to the people in her life. Monsters Sinkīut you’re not just avoiding monsters, there are also some you help turn human again by clearing corruptions and listening to their stories. The magic of it was replaced by disappointment. But that same animation plays every time it catches you, so what was impressive initially felt like old news by the fifth or sixth time I saw it. The first time I saw Kay get caught by the sea monster and tossed in the air like a rag doll I was thrilled. There are two specific monsters that serve as recurring obstacles throughout the story: a sea monster that can make crossing over water from buildings to bouys a heart-pounding race and a shelled monster girl who blocks paths and loves to explain how you suck. It’s convenient and intuitive to use, and Sea of Solitude provides a good mix of sailing and exploring on foot to keep things fresh. Your boat is your main mode of travel and it provides refuge from the darkness the monsters thrive on. It’s something to draw you through the world, but it’s rarely satisfying to pull off. Sometimes these corruptions are a challenge to reach, but more often than not they’re just a matter of walking right up to them and, well, pressing a button. This involves walking up to light that’s trapped by dark clouds and then holding down a specific button. Kay is tasked with getting rid of corruption swarms scattered around the world in the hopes of shining a little light for other monsters and herself. Thus it is important that these patients are regularly seen by a cardiologist with expertise in congenital heart disease. Therefore, precise knowledge of the different anatomic and hemodynamic variables, associated malformations and management options are essential. Overall, EA is a complex congenital anomaly with a broad pathologic-anatomical and clinical spectrum and no two patients are alike. The review describes management options in EA including catheter interventions, indication for operation and surgical options including tricuspid valve repair and replacement. Differential diagnosis of EA is discussed including tricuspid valve dysplasia and prolapse as well as arrhythmogenic right ventricular cardiomyopathy. The spectrum of typical ECG and conduction system changes, arrhythmias including accessory pathways and ectopic atrial tachycardias related to EA are also reviewed. Ebsteins anomaly of the tricuspid valve is a cardiac malformation characterized by downward displacement of the septal and inferior tricuspid valve (TV). What is Ebsteins Anomaly The tricuspid valve is abnormal and, instead of being between the right atrium and ventricle, it is low down in the right ventricle. Differences between Ebstein-like changes associated with congenitally corrected transposition and EA are described. Togetherness of Ebstein anomaly and giant hairy nevus in a neonate: first case in the literature. In this review, we describe current diagnostic criteria and classification, natural history, clinical features, and prognosis, typical echocardiographic features and pathologic findings, and the spectrum of associated cardiac malformations including left heart anomalies associated with EA. Özlü F, Tülüce M, Satar M, Özbarlas N, Kozanolu B, Yücel A. The tricuspid valve separates the right atrium (the chamber that receives blood from the body) from the right ventricle (the chamber that pumps blood to the lungs). Ebsteins anomaly is a rare heart defect in which parts of the tricuspid valve (which separates the right ventricle from the right atrium) are abnormal. Since its description in 1866, dramatic advances in diagnosis and therapy have been made. Ebsteins anomaly (sometimes referred to as Ebstein anomaly) is a congenital heart disease in which the tricuspid valve and the right ventricle do not develop normally. Ebsteins anomaly is a defect of the tricuspid valve. Ebstein's anomaly (EA) is a rare but fascinating congenital heart disorder accounting for <1% of all congenital heart defects. The design is minimalist, with nothing but four Fast Ethernet ports, a WAN port, corresponding LEDs for each port to display connectivity status and a reset button. The E2500 is also snazzy looking-it has a matte, black finish (which I like even more than the high-gloss of the E1200) and an art deco brushed metal strip across the top. In this year's models I was able to easily switch back and forth. As I found when I tested the E1200, the E2500 offers not only simple parental controls and guest access management, but also an astonishingly easy way to add other computers and devices to the router.Īs I also noted with the E1200, has Cisco resolved the problem I had in last year's models, in which going into the advanced router settings resulted in me not being able to get back into the Cisco Connect software. Cisco has finely honed the Cisco Connect software to a point where literally you can have the router set up in three steps, which should take you about five minutes. One way the E2500 does beat the E2000 is with the software. It won't wow you, though.įor users looking for a router to do heavy-duty work like large file transfers and HD video streaming, I'd recommend coughing up the extra cash for the Cisco Linksys E4200 ($179, 4 stars) or the Editor-Choice winning Netgear N600 Wireless Dual-Band Gigabit Router ($170, 4.5 stars). If you have the average home network, maybe a gaming console, a laptop or two, perhaps an iPad and you want to simultaneously have those devices connect the E2500 will suffice. I suppose it was designed to meet the needs of those who do a bit more with their home networks than just surf the Web but don't need all of QoS, traffic-shaping, or high throughput required by gaming enthusiasts or those hosting a server or VoIP devices. Still, the E2500 is good enough for lighter multimedia streaming and connecting multiple devices, and it's decently priced for a dual-band router. It didn't even beat the throughput of the E2000, the router it succeeds, at the 5 GHz band. However, I found the throughput of the E2500 a little disappointing. On paper, the E2500, which replaces Cisco's E2000 ($119, 3 stars), is a step up from the Editor's Choice winning E1200 ($60, 4.5 stars) as the E2500 offers dual-band connectivity. The Cisco Linksys E2500 ($99.99, direct) Advanced Dual-Band Wireless-N Router is part of the new lineup of E-Series routers.
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